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Issue 4.2
2016
Locating the Intimate within the Global: Xavier Dolan, Queer Nations and Québec Cinema
edited by Kester Dyer, Andrée Lafontaine, and Fulvia Massimi.
Download the full issue of Synoptique 4.2
Individual Chapters
Introduction
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Introduction
Kester Dyer, Andrée Lafontaine, and Fulvia Massimi
Articles
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“A Boy’s Best Friend is His Mother”: Québec’s Matriarchy and Queer Nationalism in the Cinema of Xavier Dolan
Fulvia Massimi
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Les voix queers dans Mommy de Xavier Dolan
Jason R. D’Aoust
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Pouvoir et déclin de l’intime : Films postréférendaires, identités genrées et identités sexuelles
Julie Ravary
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Conceptualizing Quebec National Cinema: Denys Arcand’s Cycle of Post-Referendum Films as Case Study
David Hanley
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Interview with Bill Marshall
Kester Dyer, Andrée Lafontaine, and Fulvia Massimi
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Lectures croisées et pistes de réflexions autour de Laurence Anyways / A Cross-Reading of Laurence Anyways
Interventions by Christina Brassard, Katrina Sark, Angela Urrea and Mariana Gil-Arboleda
Reviews
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The True (Homonational) North, Strong and Free
Clinton Glenn
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The Lure of an Ever-Elusive Global Melodrama
Meredith Slifkin
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Digging Up a Decade: Unearthing the Relevance of 1940s Horror
Justin H. Langlois
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Confused Auteurism: What Has Adoor Gopalakrishnan Got to Do With It?
Parichay Patra
Festival Reviews
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On Heroines, High Heels and Hierarchies: Challenging the 68th Festival de Cannes’ “Year Off””
Bradley Warren
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Cinemalaya 2015: A Decade of Philippine Independent Cinema
Adam Szymanski
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