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Issue 5.2
2017
Cinema and Technologies of Movement
edited by Philippe Bédard, Jordan Gowanlock, and Theo Stojanov, with out-going managing editor Rachel Webb Jekanowski
Download the full issue of Synoptique 5.2
Individual Chapters
Introduction
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Introduction
Philippe Bédard, Jordan Gowanlock, and Theo Stojanov
Articles
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“Move as if Alive”: The Kinematograph as Unstable Technology of Movement and its Impact on the Spectator
Gert Jan Harkema
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The Protean Camera
Philippe Bédard
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Ballet’s Influence on the Development of Early Cinema and the Technological Modification of Dance Movement
Jennifer Ann Zale
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Seeing Aspects of the Moving Camera: On the Twofoldness of the Mobile Frame
Jordan Schonig
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Early Marathi Cinema: Prabhat Studios and Social Respectability
Hrishikesh Ingle
Book Reviews
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Invisible Labour? Re-examining the Aesthetics of Sound Design in 1970s American Cinema
Kyla Smith
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When Curating Meets Film Theory: Philippe-Alain Michaud’s Sur le film
Lola Rémy
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Wandering into the Space of Imagination
Oslavi Linares Martínez
Exhibition Reviews
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Archaeology of the Digital
Jordan Gowanlock
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